Curated three international contemporary art exhibitions spanning one year in Chongqing Changjiang Contemporary Art Museum
在重庆长江当代美术馆策划横跨一年的三场国际当代艺术大展
Parabiosis- a large scaled international contemporary art exhibition at Chongqing Yangzi River Art Museum in 20162016 年在重庆长江当代美术馆举办了系列大型国际当代艺术展“异质共生”
The big advertisement of the International Contemporary Art Exhibition covered the wall of the main exhibition hall of Chongqing Changjiang Contemporary Art Museum for more than half a year 国际当代艺术展大广告在重庆长江当代美术馆主展建筑上敷盖了半年
Art Now Live Tour 现场艺术巡回展
The Art Now Live Tour is held every year in different locations around the world, It was sessions 6 每年在世界各地不同的地点举办“现场艺术巡回展” ，这是第 6 届
Summarizing the performance art documents of China in the past 20 years 总结中国近 20 年行为艺术文献
At the end of 2018, on behalf of the Chinese performance art spokesperson, I gave a report at the Art Action 1998-2018 International Performance Art Conference in Quebec and held the "China Action 1998-2018 Document Exhibition"
2018 年底，我代表中国行为艺术发言人在魁北克 Art Action1998-2018 国际行为艺术会议做报告，并举 办 “中国行动 1998-2018 文献展”
Curated Hot Snow Inner Mongolia Performance Art Festival 3rd, 6th and 7th At the beginning of 2020, the 7th "Hot Snow" International Performance Art Festival in Inner Mongolia was successfully held
策展“热雪”内蒙古行为艺术节 3 、6 、7 届 2020 年初，成功地举办了在内蒙古“热雪”国际行为艺术节第 7 届
After the 7th "Hot Snow" Festival, I came to the realization of how precarious our situation was. Not only were we facing man-made obstacles such as police tracking and warnings, but we were also caught between two disastrous events that were beyond human control and impossible to avoid. The festival took place from December 27, 2019 to January 10, 2020, coinciding with a brief period of peace between the Siziwang Banner plague in Inner Mongolia and the subsequent outbreak of Covid-19, which hit the world with devastating force. The more I reflect on it, the more I realize how miraculous and lucky we were to have successfully completed the festival without any major setbacks.
Cai Qing’s 33 Hot Snow Monuments, 2020 蔡青作品《 33 个热雪纪念碑》 2020
第 7 届“热雪”之后我才意识到情况有多么险峻。警方的追踪与警告是人为的障碍，而最令我后怕的 是，我们的这次活动竟然夹在两个人类无法控制和回避的天灾之间。整个艺术节从集合到解散，时间是 2019 年 12 月 27 至 2020 年 1 月 10 日之间，正是内蒙古四子王旗的“鼠疫”和后来凶猛袭来的“新冠病 毒”之间短暂的平静，越想越感幸运和惊险。
网络艺术世界 Net art world 2020-2022
During the pandemic, I took on the challenge of curating online exhibitions and transferring a performance art festival from the physical world to the international network. This resulted in the creation of the "Cross Over" online art festival, which is a digital representation of the "Hot Snow" art festival, and coincides with New Year's Eve. The festival has been held for two consecutive years, and has provided a platform for artists to showcase their work and connect with audiences around the world.
In addition to this, I organized several themed international art group exhibitions during the pandemic period, taking advantage of the convenience of the internet and international standards. I used platforms like Facebook and WeChat to spread awareness about these events and inspire artists to create new works.
One of my most successful exhibitions was the "Shared Crisis" international art exhibition, which I curated on September 11, 2020. This exhibition ran for two months and brought together artists from around the world to share their perspectives on the pandemic and other global crises. I also compiled the works from this exhibition into a book, which served as a lasting reminder of the resilience and creativity of artists during times of adversity.
Overall, these projects have allowed me to explore new avenues for artistic expression and collaboration, and have demonstrated the power of technology to connect people from different parts of the world. I am proud to have been a part of these efforts to inspire and uplift people during a difficult time.
在大流行期间，我接受了策划在线展览并将行为艺术节从物理世界转移到国际网络的挑战。 这导致了 “超越”在线艺术节的诞生，它是“热雪”艺术节的网络表现形式，恰逢除夕夜。 该艺术节已连续举 办两届，为艺术家提供了一个展示作品和与世界各地观众交流的平台。
除此之外，我在疫情期间组织了几次主题国际艺术群展，利用互联网的便利和国际接轨。 我使用 Facebook 和微信等平台传播对这些事件的认识，并激发艺术家创作新作品。
我最成功的展览之一是我于 2020 年 9 月 11 日策划的“共享危机”国际艺术展。这个展览持续了两个 月，汇集了来自世界各地的艺术家，分享他们对大流行病和其他全球危机的看法 . 我还把这次展览的作 品编成一本书，时刻提醒着艺术家在逆境中的韧性和创造力。
总的来说，这些项目让我探索了艺术表达和合作的新途径，并展示了技术将世界各地的人们联系起来 的力量。 我很自豪能够在困难时期参与这些激励和鼓舞人们的努力。
疫情中第一个现场艺术节 “净土”The First Live Art Festival "Pure Land" During the Pandemic 12/3-6 2021
2022 年，我在第 15 届卡塞尔文献展期间组织了一个名为“Overlapping Kassel”的平行展览，目的是用 最低的成本打造一个现场行为艺术节。 令我欣喜的是，来自世界各地的 59 位行为艺术家热情响应号 召，自费来到卡塞尔，为这个雄心勃勃的项目贡献力量。 十多天时间，我们共同实现了“Overlapping Kassel”艺术项目，取得了圆满成功。
这个项目之所以更加引人注目，是因为它几乎没有成本就完成了，这与预算为 4200 万欧元的官方 Documenta 15 形成鲜明对比。 通过以极低的预算举办国际级的艺术活动，我们证明了艺术的真正价值 不在于其经济成本，而在于所涉艺术家的雄心和创造力。
“重叠卡塞尔”证明了集体努力和艺术视野的力量，给所有参与者留下了深刻的印象。 我希望这个项 目能激励其他人不顾财务限制去追求他们的创作抱负，并继续突破艺术世界的可能性界限。
In 2022, I organized a parallel exhibition titled "Overlapping Kassel" during Documenta 15, with the goal of creating a live performance art festival at the lowest possible cost. To my delight, 59 performance artists from around the world enthusiastically responded to the call and came to Kassel at their own expense to contribute to this ambitious project. Over 10 days, we collectively realized the "Overlapping Kassel" art project, which was a resounding success.
What makes this project even more remarkable is the fact that it was accomplished with almost no cost, in stark contrast to the official Documenta 15 which had a budget of 42 million euros. By creating an international-level art event on a shoestring budget, we proved that the true value of art lies not in its financial cost but in the ambition and creativity of the artists involved. "Overlapping Kassel" was a testament to the power of collective effort and artistic vision, and it has left a lasting impression on all those who participated. It is my hope that this project will inspire others to pursue their creative ambitions regardless of financial constraints, and to continue pushing the boundaries of what is possible in the world of art.